On a screen in this part of the exhibit you can watch an interview with Isayama Hajime on a loop, where he discusses various thoughts on the series-from its humble beginnings to where it is now. You exit out into a white room filled with more panels and character drawings. I can’t wait to see what the final scene actually looks like! There were no voices here, but it still felt exciting and dramatic. We heard sounds of explosions, fire, people shouting.
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Here, you’re given audio from the final moments of the series as imagined by the creature and you’re asked to visualize the scene. Your path eventually leads to an area behind a black curtain without any images whatsoever. Once you’re done exploring the ruins, you step out into a gallery filled with framed panels from the manga along with the original dialogue as written by Isayama Hajime. Not quite as impressive, but still pretty cool.) But here’s what it looks like without all the ambient effects. (We weren’t allowed to take pictures in here while the screen was active.
I won’t list all of them here in case you get a chance to check out the exhibit and half the fun was exploring and noticing these items. A ragged Survey Corp cape hanging off a post, Annie’s ring laying on the ground, Sasha’s pack (complete with a potato) sitting open spilling its contents, and Mikasa’s scarf. Among the debris you can spot all kinds of artifacts. The paths converge and lead into the rubble strewn room I mentioned earlier. For instance, if you choose the blue path and say you were raised outside the walls, you’re treated to information about the devils on Paradise Island. The path you choose determines which pictures you see for the first little part of the exhibit (fortunately, it isn’t a long section so you don’t miss much by picking one choice over the other). You have to choose whether you were born inside or outside the walls and once you make your decision you can’t turn back. When you first enter the exhibit you’re given a choice (spoilers for season 3 ahead, FYI, if you haven’t caught up on the series yet). Let’s take a look at what they’ve got on display.
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We were greeted by costumed actors portraying Levi and Eren, when they were suddenly attacked by a mini titan! Fortunately, Mikasa swooped in at the last minute to save the day.Īfter this initial introduction we were free to roam the exhibit and look around. Behind the wall of debris is a screen which alternates between projecting a bleak cityscape, complete with ambient lighting and weather effects (a thunderstorm started up while we were there), to animated scenes of titans fighting. The level of detail was impressive-though this massive heap of debris looks chaotic, nothing here was placed by accident. The adventure started in a room strewn with rubble. I got the chance to attend the special press preview, and I wasn’t disappointed. The exhibition runs from Jto September 8th, 2019 at the Mori Art Museum in Roppongi Hills, Tokyo. Now I can add the Shingeki no Kyojin (Attack on Titan) FINAL Exhibition to that list.
Since living in Japan this past year I’ve had some pretty amazing experiences.
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